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Full golden moon at Green Cay

Saturn Peach in ceramic dish

Today’s Picture to Ponder Photos
The upper photo is a very bright Full Moon, early in the evening, adorned with clouds and framed by trees in Green Cay Wetlands.

The lower is a cut Saturn, also known as Donut, Peach in a Ceramic Dish

These two may likely seem to be a strange combination of photographs. “What might be the theme?” you could be asking. The lower peach photo is part of a series I describe on the Photography and Transformation blog, per my intention to post fruit photos daily for a week.

My attraction to the peach photo here has nothing to do with the peach itself. When I view the image, I’m caught up in the almost abstract quality of it, when I don’t think about what the main object is. For me then, it’s simply the play and repetition of lines and textures, as well as, very subtly, colors.

The moon photo also has an abstract quality and feeling and given the colors and shapes are somewhat similar to those in the lower photo, I thought it would be interesting to put them together on one “wall”, our Picture to Ponder page.

Today’s Self-Reflecting Queries
Today, I invite you to look into your life to see:

1. where there may be situations, projects, people that you keep totally separate and distinct – compartmentalized.

2. Is anything, or anyone, standing out, as you look at this here?

3. What elements are there that brings this/these to mind now?

4. Is there any commonality with/among what you are noticing? If so, do you see a way in which putting them together might empower you, them or the situation?

5. If “yes”, I invite you to have fun creating something new.

My Story of the Day
leading to these queries:
There is really not much of a story today beyond the photos that caught my attention. As usual, the queries evolve as I wrote.

Actually the full moon photo was an unexpected one in that it was very late and almost dark when I started my Green Cay Wetlands walk. I almost left my camera in the car thinking it would be too dark to photograph. Then that voice in me that reminds me to ALWAYS take make camera, “You never know what will show up,” had me bring it along.

I was so glad I paid attention, for shortly after I started walking, I had one of the “on-rare-occasions” magical sighting, at least for me!

Have you ever experienced glancing up at the moon and seeing it as a HUGE globular, ball of light, which doesn’t last for very long? Although not huge this time, I did, as I was walking, see an extra large and very orange light beyond the trees.

I scurried to catch it, with my thankful-I-had-it camera, and “grabbed” what I could in photographs, mildly chastising myself for not having started walking from the opposite direction, where I would have seen more of the moon show earlier than I did.

Once again, I could dwell on possible missed opportunities or, more powerfully, be with those that did develop.

I’m sure additional queries could come from this for you. If that happens, certainly, be with and expand on whatever it is that comes up.

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Saturn Peach Views

by Sheila Finkelstein on September 15, 2008

shiny saturn peach in a dish

 

cut saturn peach in a dish

 

saturn peach cut spread out on background

Today’s fruit posting is the Saturn Peach (label in supermarket), also known as the Donut Peach, according to pages found on Google, because of its flat shape. Actually, I bought two of them, partially for what I saw as their almost “heart” shape, or so I thought, for photo subjects as well as eating. This peach is also said to be very sweet, tasty and juicy, none of which was my experience.

I had committed to posting a fruit a day and was disappointed when at a late hour I started photographing the peach. The first one I cut was somewhat rotted and bland in taste. I put it and the second, uncut, in the refrigerator letting my disappointment rule my behavior. I didn’t even bother to download the photos until two days later when I took the second peach out to photograph.

Before starting, I checked the first photos and was pleasantly surprised.  There was a glistening and lushness to the fruit in looking at it on the screen, an experience I did not have initially. I therefore went out on my patio, for the lighting, and happily started photographing, playing with backgrounds, more photographing, as well as cutting into the inside and grabbing more interesting photos.

Again, I discovered that the second peach also was rotted in part.  Between this fruit and the apple photos of last week, I could make it mean something, AND I won’t!  I did go back to the supermarket and did mention the poor quality of the fruit to them.  I did not attempt to return the two for credit.  I figured I got my money’s worth from the photo experience.

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Rear View Perspectives – Varied

by Sheila Finkelstein on September 6, 2008

little blue heron - rear view
Rear View of a Little Blue Heron at Green Cay Wetlands

Humor for the weekend – At dusk yesterday, I took several photographs of this little blue heron. Because of poor lighting most of then did not turn out well. Then this one of the rear view of the bird came up on my computer monitor, after downloading, and I laughed, mainly at the thoughts that instantly starting running through my head, expressions related to rear-end views. No need to elaborate here. Whatever comes up for you is perfect.

Then as I was doing my morning writing, earlier today, I remembered “Rhino’s Butt” and the photo/drawing (below) that I did several years ago.

rhino's butt photo/drawing on photography and transformation blog

I photographed this particular rhinoceros from the tram at the San Diego zoo. What had attracted my attention was not the butt view of the rhino. Rather, I was intrigued with the repetition of textures in the animal’s hide and along the floor and wall. Thus, I photographed the scene and then emphasized the patterns using my hand-enhanced, photo/drawing technique.

An aside – If you know a rhino lover and collector of art objects, this photo/drawing, as well as those of giraffes and peacocks, can be found on several products in my Nature Art Gift Shop. He and the others are also available on hand-mounted prints on 5″X7″ note cards. See Zoo Animal Note Cards.

To sum up today’s observations on “rear views,” we have the one where the bird, perhaps intentionally, turned his rear to me. Then there is the rhinoceros who was simply standing there to be fully observed in his environment.

Lastly, going back to earlier this week’s Picture to Ponder post with the rear-view of an hibiscus (see a few posts below on this blog, or Picture to Ponder, Vol 4 – Issue 32), we have the situation where we were in a position to walk around and see all sides and angles of the subject – not possible in either of the first two situations.

Where would you prefer your attention to be? There is, of course, the final option where you are the subject AND I’ll leave that to your imagination.

Have fun with this.

 

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Photography and Sound – Examples from the Morikami

by Sheila Finkelstein on August 22, 2008

Close up photograph of a bamboo deer chaser at the Morikami Museum
a Deer Chaser (Shishi Odoshi) in the Morikami Gardens in Delray Beach, FL

This deer chaser is one of my all-time favorite photographs. I find it very peaceful and healing when I want to center myself. In Issue 94 of PICTURE TO PONDER in May 2005, I wrote, “I love, love, love this photo. It lights me up with a smile and totally energizes me. Part of it I think are the contrasts and the shadows on the bamboo and, of course, the water is healing.” Issue 94 gives more information and other photographs

Whenever I am in the Gardens and someone is stopped by the deer chaser, I love explaining it’s function while waiting for the “noise” that would chase a deer away from the garden in which it’s placed.

Yesterday when I stopped in for a quick visit to the Gardens at the Morikami Museum, I experienced an “aha” moment. As I walked through the Bamboo Garden I was stopped by unusual sounds and suddenly realized that it was the clacking of the hard wood as the trees hit each other in the somewhat high wind. I realized that I could capture this with the recording feature on my digital camera.

When I moved onto the Deer Chaser spot, it occurred to me that I could finally capture this sound also, to share with you, my visitors. It has taken me this long (a couple of years) to connect the technology of my camera and that of Video after a training session with Audio Acrobat. I did capture the bamboo sounds and those of the waterfalls there and will post those at a future time. In the meantime, in 8 seconds, you too can experience the deer chaser.

Note – Today’s post is inspired by my friend, pet portrait artist, Rececca Collins who has very much gotten into using video on as one of the tools she using on her blog for educating viewers on some of the ways she uses here creative genius, predominately now with her pet portraits.

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Purple Passion Flower Inspiration

by Sheila Finkelstein on August 21, 2008

purple passion flower in ceramic bowl
Passion Flower in Ceramic Dish

I have a series of apple photographs I intended to start posting, following the peeling away layers of an onion. Then I got diverted and that’s OK. It’s all about giving ourselves permission to be with what is.

One of the biggest juices in my life is making discoveries and then, when they’re visual, documenting them with my camera. I’m always enthralled with the expanded discovery process that happens as I “pose” my subjects, either by moving them or by moving me and the angle of my camera. And then there is the excitement when viewing the photos on my camera monitor.

I’m often reminded of the magic that I experienced many times when a ceramic piece of mine came out of the kiln. I’d never know how the glazes might react. In the photograph above, the shimmering magic is more from the lighting on the dish and in the water, than from a kiln “accident. To see a full view of this dish and several other views of the flower, check out Sheila’s PURPLE PASSION FLOWER.

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close-up of a sunflower with alstromeria - watercolor effect

Full moon in clouds with insert

IMPORTANT: If these photos inspire writing or anything else that has you share it and the photo, please be certain to credit the source, including the URL of this issue, http://www.eteletours.com/v4-issue30.html

Today’s Picture to Ponder Photos
Two very different photos, as explained in the Queries section.

The upper photo is a view focusing in on Sunflowers surrounded by Alstromeria in a floral arrangement in a ceramic vase.

sunflowers and alstromeria in a vase in the home of artist Sally Cooper

(Note the painting in the background is one of the many wonderful paintings of artist, Sally Cooper, who very graciously hosted a gathering of member artists from WITVA (Women In The Visual Arts).

When I came across the featured photo the other day in one of my folders, I felt uplifted, having the momentary feeling that I was looking at a water color rather than a photograph. It seemed to be a perfect one to feature today, as so many people throughout the United States, at least, are experiencing wet, dreary and threatening weather.

The lower photo is a photograph of a Full Moon Amidst Clouds on a recent clear night. The completed image is a result of using several processes in the Photoshop Elements Course I just completed. Click on Lesson 5-6 and scroll the bottom of the page to see the unaltered photos and other exercises in that class.

I include it here because I get the feeling of celebration from the photo, with the lilt of the center image.

Intro to Today’s Self-Reflecting Queries
As I wind down from all the work that has been involved in preparing for the changeover, moving Picture to Ponder from one publisher to another, there have been several layers of sadness for me. The first is that I’ve really appreciated the service I’ve had from EZezine for the almost four years that I have been working with them, so there is that feeling of loss.

Then there has been my concern for making certain that everyone who cares about Picture to Ponder is ensured of having the opportunity to continue. Once doing that, I’m left with the sadness of the loss of those subscribers who have not responded and will no longer be on the list. Of course, they may not have been opening the issues in the first place.

I shared my feelings with two masterminding buddies and close friends and asked what they thought of my featuring the moody moon/cloud photos for this “last” issue. They did not see the one I ultimately used here since it hadn’t yet been done. I wrote that I had a lively one (the flowers) which had been my original choice.

I was reminded that this is the “first” issue for many of you AND I could be viewing
the whole thing as a celebration of new beginnings. Thank you, Morgine and Marifran!

The Queries
Coming from what I experienced, I invite you to look at:

1. Are there places in your life, where you are focussing on what’s missing rather than on what’s available?

2. When you do see, acknowledge and honor what’s there, do you allow yourself to celebrate it? If so, how?

3. When you are in a quandry, or are feeling sad, do you simply shut down, withdraw, or are you able to seek out and ask for support?

4. Do you remain aware of what methods you can use to create shifts for yourself?

For me in addition to communicating with my friends and support team, I was able to turn my energy into a creative venture. While playing with the photos in Photoshop, fulfilling on other coursework, I wound up with a totally unexpected result, a way to use both images, celebrating an “aliveness” theme.

While working with the photos I had no hidden agenda or attachment to results and that, I say, is what made it work.

Where, if at all, can you find yourself in the latter example?

As always, have fun with these questions as you explore and play.

I’d love to hear from you. Remember this issue is also posted on our new PHOTOGRAPHY AND TRANSFORMATION BLOG. Simply fill in the box under REPLY to place your comments.

And, while you’re there be sure to check out the final photos of the Onion Layers through to Layer 13.

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red onion before starting to peel layers on the 13th level
How the onion appeared before I started the last stages of discovering the core.

red onion core with several more segments
Several more sections of the inner core unfold

onion layer peels from last layers

 

peels of all the inner sections of this round
The shavings/skins of what unpeeled from layers 12 and 13 – Do we focus on what we took away or all the parts that remain?

 

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Red Onion – Peeling Layer 9

by Sheila Finkelstein on August 15, 2008

red onion peeling away layer 9peeling away from the smaller sectioin both sections peeled on layer 9 - pieces left in between  space in between two sections cleaned up in Red Onion layer 9 From jagged peeling to cleaning out, with X-acto knife, the space in between the two sections. Seemingly nothing more to be peeled from the smaller section. 

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Red Onion Layer 8 – Peeling Away the Layers

by Sheila Finkelstein on August 14, 2008

In the issue of Picture to Ponder this week, the previous post on this blog, or accessible by clicking on PTP – Vol 4 – Issue 29 I wrote about racing through the layers of the rest of the onion in one sitting to “get to the end” of the project. In the meantime, I’ve left you wondering, perhaps, about what was in between. Thus, I’m backing up for you.

Red onion peeling away layers 2 and layer 8

I started this time peeling away the outer layer of the smaller section which had emerged in layer 5. Because this section seemed so small and delicate, rather than plunging in with my fingers and ripping away the layer, I took a knife and slowly and gently started peeling. I was surprised to notice how thick the layer was, compared to what had been peeling away from the larger section, as can be seen in the next photo.

Another view of Red onion peeling away layers 2 and layer 8

Once again I got rough on the dominant section. The smaller one looks so delicate and vulnerable. I could create a lot more observations and queries here and I’ll leave that to you for today.

both onion segments completely exposed at the end of peeling layer 8

Nice and smooth, the sections, feeling quite exposed. The bottoms of the layers, jagged in between. Can’t reach them with my knife or small scissors. They remain as memories of what was.

a humorous view of red onion querying our seriousness

A different view of the second photo here today. I laughed when I saw it. Perhaps it’s a reminder to stop taking ourselves so seriously.

red onion - two sections look like a ballon character

This one, too, brought a laugh. Is he/she flaunting, with nose up in the air, looking at us out of the corner of his/her eye? It also gives off the feeling of one of those balloons that clowns make at parties, again, reminding us to REMEMBER to PLAY.

 

 

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red onion peeled layer 10

red onion layer 10 on black background

red onion layer10 colorized and desaturated

IMPORTANT: If these photos inspire writing or anything else that has you share it and the photo, please be certain to credit the source, including the URL of this issue, http://www.eteletours.com/v4-issue29.html

Today’s Picture to Ponder Photos
Peeling layer 10 of the red onion I introduced in the last issue of Picture to Ponder

As I stated in that issue, I have been featuring one or more photos a day, on my Photography and Transformation blog of the peeling away process of the layers of this one red onion. The onion has been featured on mixed backgrounds, sometimes the wood snack tabletop and other times on a black cloth.

The photographs I’m sharing in Picture to Ponder today are more about the beauty of the imagery than about the peeling process. I so love the elegance, smoothness, shape and colors in the onion, as seen in the top photo, that I feel drawn to share it with you.

As I photographed, I felt the remaining onion definitely needed the richness of the black background to “show it off” in all its glory. I then went further and experimented with the photograph using a Photoshop Elements 6.0 technique I just learned in the online class in which I am currently enrolled. For more photos from that lesson see PSE6 – Lesson 3 and 4.

As I write, I keep scrolling back up to view the photos. I hope that they bring you some of the same pleasure.

Self-Reflecting Queries
When I first started with this self-initiated project on observing the onion, analogous to stripping away layers of ourselves, I was intrigued with the parallels that kept coming up for me in terms of reaching inside myself. I also thought that many of you might find this an interesting tool for reflecting upon your own multi-layers and dimensions.

I initially committed to myself, and I think on the blog, that I would post each day the revealing of a new layer.I had intended, I thought, to photograph a new layer each day. After the seventh day, it occurred to me that it wasn’t about photographing a new layer each day. Rather it was simply about recording the process and what was left each time a new layer was peeled away.

Actually, as I’m writing, I’m thinking that the latter statement may well be “justification,” a process I have mastered well.

Although I was still finding what was happening interesting and sometimes exciting, overall I was getting bored and impatient, wanting to hurry to the end. I wished to see everything that was there and be finished.

So, thinking it didn’t really matter if I did the rest of the layers at once, I spent just under an hour and took 150 or more photographs and went from layer 8 through layers 12 or 13. The reason the numbers are not definite is that, in the process of getting finished, I neglected to put systems in place for accurate recording.

The photographs at the end were not as high in quality. Perhaps I simply took fewer, so had less from which to choose.And, the photographs became almost a blur of noise, not knowing which was what, having relied on my brain to retain it all.

The saddest part is that I “ripped” myself off, depriving myself of the full pleasure of each new discovery, of which there still were many. And, I can forgive me. In addition to what I learned about myself, analogous to the onion, I discovered procedures I can use the next time I undertake such a project.

For more about the onion and my discoveries, I invite you to follow along on the blog, starting at the most current, and scrolling down, or start in the July 2008 archives and work your way up.The message here today is not about the onion layers. Rather it’s about how we approach our activities and passions –

Thus, Queries for the Day – I invite you to look at your own life and consider:

1 – When you take on a project, do you have systems in place for sticking with it and, also, for being flexible, adjusting, if called for, as you move along?

 

2 – Are there places in your life now where you are currently justifying shortcuts that, in fact, may not be the best solution? Are there similar situations in the past from which you can learn, or already have done so?and, as I review them before deleting, I think several of the queries from our last issue are worth repeating:

3 – Do you jump right in, or do you slowly peel away the levels of a project, to get at the heart of it? As you look at, and think about the onion analogy, are there any shifts, you might want to consider making?

4 – Do you usually have an intention when you start an activity? Do you have a method for keeping that present, a reminder system? If not, is there something you would like to set up? (Pretty much the same as number 1, today, adding “intention.”)

5 -And, on a slightly different track, is there a playful practice that you’ve been meaning to do, something simple to which you might like to commit to doing on a daily basis for a week?

I committed to photographing fruits daily this week. Right now it feels like a burden AND I know once into it, because I said so, the play will come. Sometimes the “burden” is simply in thinking about it, dwelling on it.

6 – Is there a place in your life right now where you are feeling burdened, where getting in action might bring in the missing playful element(s)?

I’d love to hear from you. Simply fill in the box under REPLY to place your comments.

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